
Labels: mixes
It should come as no surprise that the new PRE album Hope Freaks just out recently on Skin Graft is something of interest around these parts. I enjoyed their debut Epic Fits when it was released and as it appears Hope Freaks is keeping right in line with their frenetic vision of no-wave noise making. At least for me, when I think of an album as grower it usually applies to an album that is much longer and is an exhaustive listen to take in the first time. PRE might be an exhaustive listen if this isn’t your type of thing, however the band definitely doesn’t wear out their welcome in terms of time with an album that once again ranges in the 20 minute range. So how is Hope Freaks a grower? Well, at such a pace in which PRE force the listener to digest the complexity of their music, it almost becomes a blur of darting rhythms and high pitched yelps courtesy of Keeks Matsuura that multiple listens for the band become mandatory. As it expected however, it reveals itself for much more than I can simply describe.Labels: no-wave, noise-rock, post-punk


Labels: garage rock, rock, sludge
Chicago’s very own Wreck are an oft overlooked band these days and one might draw the conclusion that the reason was partly due to them being hidden amongst the Wax Trax!/PIAS label during the majority of their years together. Yes, they were on the also Chicago based and notable industrial/dance label Wax Trax! and no they had absolutely nothing to do with either of those styles. Wreck was just an oddity on their roster as they were simply a rock band that bared the markings of a lot of the similar abrasive rock to come out of the city during that period. To no ones surprise I am sure, Steve Albini produced practically all of their recordings. If Wax Trax!/PIAS was looking to hit one out the park and make a mark during the grunge explosion…well Wreck were, and thankfully, much too interesting/challenging to gain that sort of notoriety.
Some may already be quite familiar with Wreck since former Die Kreuzen bassist Keith Brammer was part of the lineup that also contained members Dean Schlabowske, Bart Flores, and Kurt Moore. Schlabowske would later join John Langford from the Mekons to form alt-country act Waco Brothers. During the bands time together they released two EP’s (Wreck, House of Boris) and two albums (Soul Train and El Mundo De Los Niños). Their final album that eventually appeared in 1994 El Mundo De Los Niños was actually their only release on a different label. It was picked up by C/Z Records after Wax Trax! decidedly shelved the album. It was later re-recorded for release on C/Z. If anyone out there has promo copies of the original Wax Trax! recorded version of the album...I would love to hear it.Labels: indie-rock, post-punk, rock
Labels: noise-rock
I honestly thought I was in for some Clutch self-titled era type of jam/stoner rock thing when the first track started making its way through my speakers. At least by the guitar tone and the way the drums are recorded, it led me to believe that much. And even after listening to Hurry Up Shotgun’s debut and quickly realizing that was most definitely not to be…that lead track still sounds like Clutch sans the vocals/lyrics. The other seven tracks that are to be found on Hold the Angle still burrow themselves firmly in the heart of 90’s indie-rock, however this time leaping towards the sound that one might come to expect from a band that inhabits the west coast. People who read this blog often enough probably see where this is going and in fact might as well just skip to the song because it’s something that in all likelihood will interest those of you out there and I know time is important. However, for those who don’t…Hurry Up Shotgun conjure up a sound that is reminiscent to that of Hot Snakes during their fairly solid run as a band. Plenty of bounce and liveliness here to be found while not confining themselves squarely to one influence or idea as evidenced by the opening track. The band apparently already is at work on writing new material, which will be interesting to hear and see what direction they take.Labels: indie-rock, post-hardcore
Labels: garage rock, lo-fi, noise-rock

