Polaris - Polaris...
The Leeds group of Polaris has been together for quite sometime now, around 13 years or so. However this year they released only their second record together. This makes groups that take 3 years in between releases look like workaholics. Regardless, as many of us come to realize after awhile, quality is sometimes better than quantity. Polaris is a band that must firmly believe in that, or I at least give them the benefit of the doubt that they do.On their self-titled release, which was put out on Gringo Records, the band kick around somewhere in between post-rock and general indie rock. What got me initially listening to this record was the track “Kissing”, which is a captivating piece and one of the more beautifully written songs that I’ve heard all year. There is a certain emotional quality that is caught within that song that is often hard to obtain and for practically all 6 minutes it puts a smile on my face. For the most part the album as a whole is a soft and brooding piece of work that plays off the whole “soft to loud (vice versa)” slant fairly well. While the album plays out like a rollercoaster, being completely upbeat and with a lackadaisical sense of happiness, it does plummet into more moody and darker territory at times, which are probably my least favorite portions of the album. Polaris do a damn fine job of making incredibly catchy lazy sunny day music that it would suit me fine if the whole album was just nothing but that. However, that’s just my little deal I have with it and really can’t hold that as any sort of complaint because this album is great from start to end regardless of the mood.
Polaris – Kissing [MP3]
Polaris – Conquering Small Spaces [MP3]
You can grab this over at Gringo Records or off the bands MySpace, whichever you prefer. Anyway, enjoy as always.
Labels: indie-rock, post-rock


Since it is Monday, I think it might be a good idea to start the week off with a record that will undoubtedly beat your ass every which way and get all of you moving. That’s where
While sitting at my desk last night basically wasting my time on the Internet I found myself listening to the
I was told to listen to
In a time now where many are going out and saying to hell with making frenetically paced screamo/hardcore music and taking up producing music of epic post-rock proportions, it is ridiculously hard to weed through all of these bands. Where everyone wants to sound like the next Isis or Pelican, it just makes it all that much harder for those that do take an innovative and different approach to this genre to get noticed. I’ll honestly admit that when I see a RIYL on some page that lists any of the main post metal/rock staples, I am reluctant to give it a shot or a fair listen. I know that’s terrible of me, send me hate mail or whatever, but really it’s the same for me as for others maybe seeing music being compared to Coldplay or something else as ridiculously boring. Anyway, that’s my tiny rant about the genre in general. Over saturation people, it sucks a fat one.
It’s always a big risk for a band to greatly alter their sound from one record to the next. For some it can be quite rewarding for both the band and the listener, but however there are also those times when it can result in a bad case of crashing and burning. I say this because in 2004,
Awhile back, around when this blog first started, I did a post on the band Bright Channel. In the post I made reference to
I am just going to brief on an album I just recently encountered the past few days, that being the new album from the instrumental Norway trio of
It’s been a wonderful year for music. It took a bit to get the ball rolling, but now here in September I can look back and confidently say that there have been some amazing releases this year. Even better, there is still about 3 and a half months left! Awesome.
Henry’s Dress was a short lived noise-pop group that came together in the early 90’s to release a few seven inches, the Henry’s Dress EP, and their only full-length Bust ‘Em Green. They were both interesting for their music and the fact that members Amy Linton and Matt Hartman often switched between doing vocals/guitar and drums on their records, which proved to work quite well. Hayyim Sanchez remained on bass. In their earlier stages, the group was almost completely overblown with noise, as can be heard on their self-titled EP, which is drenched in feedback to the point of relegating the vocals to the background at times. However, I always kind of preferred this sound to what they would later do on Bust ‘Em Green. For their full-length they scaled back the feedback to some extent, but even so, they remained one of the nosier bands on Slumberland Records. Their overall sound was something, even at that time, built on a sense of nostalgia. The most obvious is probably the garage rock feel and sound in practically every song. However, the melodies and cheerful/poppy vocals from both Hartman and Linton were almost twee like, which wasn’t too far fetched considering the record label they were on. Even furthering this, before they broke up they released a tour split 7 inch with Rocketship, who could very easily be, and often were, considered twee. As it could be guessed, their album is much more catchy and poppy then their EP. However, both releases are great in their own respective rights.
This has to be the ultimate surprise for me this year thus far. No, not in the “wow, this is good” kind of surprise, but more like “wow, when did these guys release another album” surprise. For those that might remember, Blunderbuss was a noise rock outfit that released a few singles and one full-length album (Conspiracy) through Homestead in the early to mid nineties. However, the band was pretty much elusive through that time and drifted off into complete obscurity. That’s the reason I was completely floored when I ran across this album, which is a completely new offering from the band. I honestly couldn’t believe it until I listened to it and indeed this is Blunderbuss and it is them playing in peak form. This is some of the best melodic noise rock I’ve heard all year or for maybe quite some time actually. Even better is that this isn’t some patched together semi reunited bullshit; this is all the original members plus the addition of another guitar player, Jeff Ellsworth (Don Caballero, Creta Bourzia).
I’ll come clean; I wasn’t totally sold on the 



