Sixto - Sixto
Formed out of the ashes of the brilliant Dis- (see my post on them here) in 1997, singer/guitarist Chris Fuller formed Sixto with former Travis members Matt Scholl and Craig Hutler along with Chris Manfrin who spent time in Seam. The band released one full-length album in 2001 that was Self-Titled on the Milwaukee based Star Star Stereo label before eventually disbanding not long afterward.Although their existence was brief, their one album is worth tracking down or picking up if you run across it. There are definitely some compelling influences that work with each other successfully in a way I wouldn’t have originally thought until hearing it, combining the styling of early 80’s post-punk/no wave with the more bombast approach of arena rock. Not necessarily the most enticing thing on paper maybe, but Sixto pulls it off quite nicely. Fuller’s near emotionless vocals are a perfect fit for the type of post-punk sound that dominates the record. One of the interesting aspects of it though is that while Fuller’s voice lends itself to the cold and monotonous style that comes with the genres territory, it’s ultimately the dual guitar work that gives it an unexpected liveliness and almost mathy quality. The disc is definitely worth listening to for anyone that were fans of any of the members’ previous bands, if anything it’s an interesting take on a couple different styles of music.
Sixto – The Asphalt Audience [MP3]
Sixto – The Naughty Mime [MP3]
For anyone looking to pick up Sixto’s self-titled album there are still multiple used copies available on Amazon for a pretty good price. Definitely grab a copy if you like the tunes posted above.
Labels: indie-rock, post-punk, rock


I was very excited to see the new
It’s all too rare anymore whenever I check out a band that has some hype building around them that they actually live up to the amount of praise that is being heaped upon them. Sometimes not listening to what my gut feeling tells me to do is a good idea and despite it telling me over and over again not to buy into the things being said about
The
The Leeds, UK based band
After listening to the
If only I could have heard this album last year. I have a strong feeling that it would have made the year end list. And yet again, I have to thank one of the blogs loyal readers for directing me to the Philadelphia based
The Chapel Hill based
Finally making its way over to the US after being released in the bands homeland of New Zealand in late ’07,
Well I hope everyone had a good and safe New Years. With all the holiday stuff out of the way for awhile, hopefully I can get back into the swing of things around here. To kick off things for ’08 will be for a record I have been spinning quite a bit over the past week from the Philadelphia based trio of
I’m going to be working tonight on the BOAWS top 20 for 07 to be posted tomorrow, and then after that it’s a bit of a Christmas break for the blog for a few days.
On top of the couple singles featured here, the band did manage to release a full-length record on Kill Rock Stars in 1997, which was self-titled. The full-length is definitely worth picking up if the singles are of interest to anyone out there. It’s more of the same really, which is a nice solid helping of noisy post-punk.
I look at a song title like “King Shit on Fuck Mountain” (apparently a Mr. Show reference, thanks Sebastian!) and immediately think that this is either going to be really good or really bad. There is no in between with something like that, you know what I mean? It preps me for what is going to be an all or nothing listening experience. However, it’s pretty obvious that if I am writing about it on here then I think it’s pretty damn good. I made the decision when I first started this blog that writing about a bad record is just a waste of time. As if my times really that valuable anyway, because trust me it’s not.
After the sad and tragic demise of the great 
Since I’ve pretty much covered both
Fresh off the move to Los Angeles, 
While on my way to see the game to big screen adaptation of Silent Hill yesterday, I listened to 



